Sunday, January 30, 2011

How To Find %w/w Given

new host to "lock Hoyer word"




The House Hoyer word located in the heart of Eiderstedt. Affectionately called "lock" means could the cultural potential of this architectural gem, which was built in 1594 by Caspar Staller Hoyer and was since 1771 in the family Hamkens be exploited adequately.

was the end of 2010 the listed cultural monument is now a new owner. Alfred Jordy, who ran last with his wife's pottery march on Sylt wants to bring Hoyer word from its cultural slumber. The goal is to Hoyer word into a tourist to make a magnet for a nationwide audience.

In 2009 Jordy had fallen in love with the property, the determining factor for the sale was then but the separation from his wife and the sale of his house Sylt. It was time for a fresh start. He has acquired the mansion with many period furniture, a library, the surrounding "garden palace" with the ditch, grassland and the thatched Haubarg of 1704 and 16 ewes, a few goats and pot-bellied pigs, a previous owner. Here it were a stately ambience meets rustic country life.


Of course the new house Mr. Hoyer word to not only live, but also exercise his profession and - as a top priority - set up his first pottery. The focus of his craft activity is the production of hand-painted wall tiles in the classic Dutch tradition and the production of garden and decorative ceramics. The representative to the grand entrance portal will be to transform into a store, right next door, guests can enjoy a small cafe in the Renaissance atmosphere with coffee, tea and cake Fries. The first floor will Jordy set up a museum that not only the changing history of Hoyer word with its to tell tales and legends (such as "From the Devil and the Dancer") and its inhabitants (Caspar Hoyer, Anna Ovena Hoyer), but also the region's history illuminates Eiderstedt. Finally prevailed in the immediate vicinity in 1252, the frieze over the Danes and 1713 was sealed on the surrender of the Swedish word Hoyer troops.

step by step, the entire property will be carefully renovated, so are used as stables for the Haubarg plans before the expansion and conversion into a restaurant. Also an investor has already signaled its interest.

want much but Alfred Jordy provide on its own power, and several historic homes he has been rehabilitated and therefore recognized the potential of the mansion and its central location. 4 apartments will allow to continue "holiday cottages (sitting)" and complete the tourist offer.


is still much work to Alfred Jordy: the renovation of storage that must be remedied, sources of funding are reviewed and applied for marketing and use strategies to be explored.

But the unique character of Hoyer word has so enchanted him that he is the opening of pottery, shop and cafe at Pentecost confident and looks forward to many interested visitors happy.

"House Hoyer Word" - museum, cafe, ceramics. Jordy march Potteries Ltd., Hoyer word, Oldenswort 25 870, Tel: 015 120 469 177;

http://www.hoyerswort.de ; http://www.marschentoepferei.de

Opening: Pentecost 2011, opening times: April - October: Tuesday - Saturday: 11-18 Clock.

Friday, January 28, 2011

The Best Tape Haircut

" Average Earnings "(1929) By Carl von Haartman


The Baron Henrik von Hagen is an idle bourgeois Finn (as you can see, decadent Are people all over the world ...), after eleven years, I again meets an old acquaintance, Madame Vasilevna, a foreigner her youthful days DURING Who Was a ballet dancer while Herr Baron Faithful Was Her cavalier. Eleven they are reunited again in Helsinki, Herr Baron discovers that Madame Vasilevna earns her living with a new hobby: she likes very much painting frozen Finn landscapes but especially the ones around military bases.

“Korkein Voitto” ( The Highest Triumph ) was directed by Herr Carl von Haartman in the silent year of 1929 and it was the first film directed by this peculiar Finnish director, although previously Herr Haartman had a very interesting life and career.

During his youthful days, Herr Haartman had a military career and he participated in the Finnish civil war of 1918. During the mid 20’s he went to Hollywood where he collaborated or played with very important directors of the time, namely Herr William Wellman with whom Herr Haartman, a military expert, supervised every flying sequence of “Wings” (1927) and Herr Erich von Stroheim’s “The Wedding March” (1928) wherein Haartman played what is supposed to be a German officer, a role that was his speciality during his acting days in Hollywood (though he was often un-credited).

With such important film background experience, Herr Haartman was selected by the most important Finland film studio, “Suomi-Filmi” to direct “Korkein Voitto” and certainly the Hollywood experience can be appreciated in the impeccable and excellent film direction. The art direction and cinematography demonstrate an appreciation for film classicism, a high finish film made by a Finnish director, ja wohl!.

Herr Haartman has a fluid film narrative ( travelling, air scenes ) constructing a story of romance and political schemes in which stereotypes are used proportionally and in a light way ( an idle Baron, a mysterious woman, a suspicious Jew, an expensive taxi driver… ) adding action and a slight sense of humour, achieving finally a very interesting although uneven film.

The main characters of the picture, Herr Baron und Madame Vasilevna, played by Herr Haartman himself und Frau Kerstin Nylander, go all over Finland, combining in this way urban scenes together with others of the wild and frozen Finnish landscapes (there’s even some seal hunting, a peculiar pastime for Finns). The dramatic intensity of this story of hidden intrigues works well, Even Though the characters Are Rather clichéd. Everything is done "Hollywood style" but well adapted to the Finnish setting and Circumstance.

And now, if you'll allow me, I take my leave Must Temporarily Because this Teutonic German Count must go seal hunting.

Herr Graf Ferdinand Von

Galicia - / -

Henrik Baron von Hagen's all an idle bourgeois Finnish (as you can see, you can find decadent people around the world ...), which, having passed over eleven years, this will find an old friend of hers, it is Madame Vasilevna a foreign Fraulein which during his youth was a dancer exercising the Herr Baron of his faithful knight.
After their reunion in Helsinki, the Herr Baron will have news that Madame Vasilevna now earns a living from a new hobby, devoting himself to painting and in particular ice cream Finnish landscape, as long as they have in the vicinity of the odd base military.

"Korkein Voitto", a film directed by Herr Carl von Haartman during the year 1929 was the first film directed by Finnish director this particular, although Herr Haartman already had a prior and important life and film career.

During his youth, Haartman Herr was a prominent military, not to mention his job as an actor, writer and film director, participating in the contest in the Finnish civil war occurred during the year 1918, in the mid-20's of last century Herr Haartman travel to Hollywood where he collaborated and performed with important conductors of the era, with particular emphasis on working with Herr William Wellman, with whom, thanks to his military experience, oversees all aerial sequences of the film "Wings" (1927) and Erich von Stroheim Herr Herr Haartman where plays in "The Wedding March" (1928) which is supposed to be all a German officer, this is his specialty as an actor in silent other Hollywood productions, although many of them did not even get to appear in the credits.

With experience and expertise so important film, the main study from Finland, "Suomi-Filmi" Herr services required to run Haartman "Korkein Voitto" and certainly the experience Hollywood can be seen in the impeccable and excellent leadership where art direction, photography and a penchant for classicism, is displayed on a careful finish film by Finnish director, ja wohl!. Herr

Haartman has a fluid narrative (traveling aerial scenes) to construct a story of love and political intrigue in which stereotypes are used in a slight proportion (an idle Baron, a mysterious woman, a Jew intriguing, an expensive taxi ...) by adding a Sibylline action and humor to history, finally getting a film certainly interesting, if uneven.

The main characters of the film, Herr und Madame Baron Vasilevna, are played by none other Haartman Herr and Frau Kerstin Nylander, respectively, which will go from here and there throughout Finland, combining with other principal urban scenes where you can see the wild Finnish landscapes and ice cream, even including footage of a particular hobby that Finns especially like the seal hunt, develop, depending on the scenario chosen, the dramatic intensity of the story, all at the service of a dark tale of intrigue that works really well as long as they accept and take into account the stereotypical characters mentioned above and not clash in this particular film, thereby achieving a work Herr Haartman pretty special, above and this is one of its greatest achievements, to adapt all a classic film of love and intrigue in true Hollywood style, the circumstances of Finland, transferring the recurring themes of this genus to the peculiarities of their own country in a way certainly original.

And now, if I may, I have to leave because this count Germanic must attend a special sealing Teutonic.

Herr Graf Ferdinand Von Galicia

What To Write Something Funny On Birthday Cake

Friday Music: British Sea Power



Lately I hear a lot more conscious and intense music. There I learned a lot to delve into new worlds of sound. Therefore, wishes to I sometimes imagine to Fridays songs that I liked at the time. This time, "Waving Flags" from the album Do You Like Rock Music? of British Sea Power . Do you currently also have a favorite song?
Friday is time for favorite songs

Wednesday, January 26, 2011

Tongue Brushing Coughed Up Blood

life without meat - new discussion

least not since the release of Jonathan Safran Foer book Animals Food is the theme of "life without meat" so fiercely again Everyone is talking about. In an article at kidnet.de I have wondered made, can succeed as a change in diet.

Saturday, January 22, 2011

Simcity Bat File Not Showing

Otmar Alt in the House Peters




"Art is, to set an example" - has once put it Otmar Alt as an artistic theme .

Otmar Alt (born 1940) has put such signs, plentiful, varied and in many forms. His image and form language is unmistakable. For decades, he is one of the most renowned contemporary artists.

shows the moment the House Peters Tetenbüll a representative selection of his life's work.

Otmar Alt shows itself as one that is free from the influence of taste and which also takes the liberty to release the art from their elitist ivory tower and make it so each at any time.

"Art comes from the herald," he said - meaning not only the effect of an artwork to the viewer, but also the special responsibility of the artist: to reach art has to a large audience, they must be for everyone, regardless of social status and financial status, be reachable.

For him, it therefore goes without saying - and not breaking a taboo - to market his art, and to assign their functionality, so each Man in the artwork included with, in that he can use it functionally. Therefore, the exhibition includes such diverse objects such as watches, art and screen prints, cookbooks, a coloring book for children, sculptures made of crystal glass (made by Rosenthal), etching and high-quality acrylic on canvas paintings, including specially created for this exhibition.

Otmar Alt, his personal artistic vocabulary developed: Bright colors, flat shapes filled, black contour lines.

His imagery is characterized by fantastic elements, it is strange being there, mixing and mythical creatures such as "Kammäugler", or "Lippenschnäbler. Here is a carefree world that may sometimes even seem childlike and playful. Here is nothing but childish with unobstructed, open view of the world take in and they reveal a sense, too. Children and fools speak the truth, they say, and alts hybrid creatures, the cats, the clowns, the artists are ultimately representations that can smile to us all, because you can find in yourself and because, as it posits the artist "imagination, wit, charm, lust and sensuality" represent.

to 27 February 2011

Tuesday to Sunday from 14h to 18 clock

January / February only Sat / Sun from 14 bis 18 clock

Admission free

House Peters, 25 882 Tetenbüll , Dörpstraat 16, Tel: 04862-681

http://www.hauspeters.info

Friday, January 21, 2011

Flat Rates In Kharghar

" Fänrig Staals Sägner "(1926) By John W. Brunius


The history of Finland, European That land of a Thousand Lakes, WAS always related to Sweden for part of Which It Was Until 1809, and the Russian Empire Finland Which Was Made of an Autonomous state, the Grand Duchy of Finland, sincere That Year.

"Stals Sagner Fänrig" directed by Herr John W. Brunius in the silent year of 1926, depicts precisely the transitional period of uncertainty that happened in the history of that European country during the Finnish war of 1808-1809. Events according to Herr Johan Ludwig Runeberg (who was a very important Finnish poet) are precisely used as the film describes in a romantic way Herr Runeberg’s poem; many inter-titles in the film are quotes.

In spite of being an important Swedish film budget production, the film’s many actors were Finnish and much of the film was filmed in Finland. This created an excellent paradigm of the duality that Finland suffered in those times trying to maintain its independence and culture from the Swedish (and Russians) with a stubborn Finnish determination to defend their genuine idiosyncrasy. Depicted in the film are many scenes in the form of a romantic and nationalist exaltation of the land as well as scenes of many heroic deeds.

The Swedish policy of war and its internal contradictions together with the Russian strong determination to annex Finland is depicted in the film sometimes in a confusing way. That’s due to the many characters involved in the film and the many historical facts that Herr Runeberg is trying to depict in two long hours.

The film story is remembered in flashback by an old lieutenant who participated in the war as recounted to a young teacher. Besides the war epic, the film also includes a love story among two youngsters who are involved in the turmoil of the war incidents. This makes the film kind of “collage” that many times lacks rhythm and film continuity; as the Teutonic saying goes, it’s a situation of “Jack of all trades and master of none”…

In spite of the lack of intensity in developing the historical events depicted in the film, the picture has vigorous battle scenes where a lot of extras were needed. They’re not elaborated or complicated ones, certainly ( more camera movements would have improved the action needed in order to transmit the clamour of war ). However, there are moments in which the war epic achieves moments of tragic lyricism and beauty.

“Fänrig Ståls sägner” is probably too ambitious film in STI Various Purposes and erratic and failed artistic film telling Especially in the historical process of the events That the picture tries to describe. However, at the Same time it is Successful in the film's patriotic and artistic Aesthetic Purposes by depicting an important Transitional Period in the Finland history.

And now, if you'll allow me, I take my leave Must Temporarily Because this German Count must-continue to rule independent historical Germanic implacably Duchess.

Herr Graf Ferdinand Von

Galicia - / -

Finland's history, the European country with over a thousand lakes, was inevitably linked with Sweden, which was part until 1809; from this year Finland became part of the Russian Empire as an autonomous state, referred to as the Grand Duchy of Finland.

"Fänrig Stals Sagner," a film directed by John W. Herr Brunius silent in the year 1926, tells precisely that period of uncertainty during the transition from Finland and the war which occurred during the years 1808-1809, events that are narrated by the romantic poem of Herr Johan Ludwig Runeberg, one of the most important poets Finnish and which are quoted verbatim several passages of the book in numerous intertitles of the film.

Despite being a major Swedish film production, the film tells Finnish numerous actors as well as most of the film was shot in the Nordic country, which offers an excellent paradigm of duality that Finland suffered during that time or how to maintain their independence and culture against the Swedes and Russians, got it thanks the dogged determination of the above to uphold their genuine idiosyncrasy, a romantic and nationalist exaltation of the earth and feats of war as can be seen in the film.

The internal contradictions of the Swedish war policy, together with the iron determination by Russia to annex Finland to his empire, is depicted in the film on numerous occasions so confusing, mainly due to the numerous characters involved in the film and the historical events that Herr Runeberg tries to show his film in two hours longer than it lasts.

The relationship of events is told through flashback by an old lieutenant who participated in the war, a young teacher and also to show the film many deeds of war, is also included in it a love story two young stars who are caught in the whirlwind of military conflict, the film proving to be a kind of collage history which in many cases lacks continuity and rhythm, pudiéndosele implement the Teutonic movie that "whom much covers none."

Despite this lack of cinematic intensity in the development of historical events that the film tries to reflect, however the film has scenes of vigorous battles with the participation of many extra scenes too elaborate or complicated in its implementation certainly (more camera movements have improved the action necessary to transmit the clamor of war), but still, there are times where the epic war with tragic moments of beauty and lyricism.

"Fänrig Stals Sagner "is probably too ambitious a film because of its numerous and erratic artistic proposals when the historical narrative of events that the film tries to describe, but also gets some credit for its artistic aesthetic and patriotic to time to reflect that important transition period in the history of Finland.

And now, if I may, I have to leave because this count must govern Germanic relentlessly independent of its Germanic duchesses.

Herr Graf Ferdinand Von Galicia

Friday, January 14, 2011

How To Clear Memory Access Violation In Tally 7.2

" Brudeferden I Hardanger "(1926) By Rasmus Breistein


After the impasse of the Viennese intermission, this Herr Graf resumes his aristocratic activities in regards to the silent screenings at the Schloss theatre. ( Other and more decadent ones were continued merrily during the staying of this Herr Von in the Austrian capital city.)

And what better way to start another silent year than discovering unknown Nordic silent films? With some exceptions, many film productions of those cold European countries are not well known to silent connoisseurs. That’s generally due to whimsy film distribution policies or few public exhibitions of these films in theatres. This is a great error that thanks to modernen times, new formats, new distribution and broadcasting channels is being corrected thus finally making available for silent film fans these excellent oeuvres.

The first picture of this exclusive aristocratic film programme was “Brudeferden I Hardanger” ( The Bridal Party In Hardanger ) directed by Herr Rasmus Breistein in the silent year of 1926. It’s a wonderful silent film that must be discovered and enjoyed by any silent film fan around the world.

The film depicts a truncated love story through the whole life of the youngster fraulein Marit Skjolte ( Frau Aase Bye ) who is in love with Anders ( Herr Henry Gleditsch ). The latter promised Marit to marry her when he was returning from a two year absence from their little town. But the fact is that never will happen because after four years of Marit having no news or letter from Anders, finally she discovered that he’s to marry a wealthy fraulein in the church of their little town.

“Brudeferden I Hardanger” has remarkable aspects that made this film a very special one with peculiarities connected with the surroundings that decisively influence the lives of the main characters of the film.

As in many Nordic films, nature is always a very powerful and important film character in the story and plays a prominent role in accordingly developing the film narrative that the director needed or wanted depending on his own personal artistic interests.

In “Brudeferden I Hardanger”, nature is in the background but, at the same time, is a fundamental character that is used by Herr Breistein very wisely. From the very start of the film, we view the beautiful landscapes of the Hardanger fjord which witnessed a social tragedy, the massive emigration of the inhabitants of the little town to America who flee from a beautiful but impoverished land. It’s a land, however, that is incapable of giving enough resources to the population and they begin searching for a better life out of the country. Nature becomes a relevant and even cruel master that has no mercy with the people who live in the surrounding areas.

The hard conditions in the fjord are suffered by our heroine when she applies for a post with the county judge for a job in where she is treated harshly by the judge’s wife. After the shock of her fiancée’s marriage she is forced to take a post with an old cotter up in the mountains. These situations together with her sad feelings, don’t change until she finally decides to marry Tore ( Herr Vilhelm Lund ) a rich farmer who always loved her in (spite her indifference) and it’s a last chance for Marit, certainly. In this part of the movie, nature is especially used as a decisive character that emphasizes the difficult social conditions and the social class differences in the fjord.

But nature has its more aesthetic part in the film as can be seen especially during the bridal voyage down the Hardanger fjord and its beautiful and evocative scene inspired by one of the most well-known paintings in Norwegian art history. Certainly Herr Breistein captures its beauty and romantic scent with an inflexion point in the film that accelerates the pace in a dramatic way.

Because Marit waited for years for the return of her fiancée and then realized that her waiting was in vain, the previous timid, innocent and young fraulein grows into an embittered, resented old woman ( Frau Gunhild Schytte Jacobsen ) who never will forget the betrayal Anders did to her. It’s a terrible deception and that hate that even will transmit to her own sons.

The human portrait of Marit is certainly outstanding and, is well transmitted by the two actresses that perform the character within the different times of main character’s life. Depicted are events that transform a good and hopeful young woman in a selfish and vindictive old woman. In the end Marit realizes this and accepts that in a way she has lost her whole life, living one that she didn’t want to,

The transition between youth and old age is a small lapse of time within the film culminated and reflected upon in the last scene of the film. It’s a beautiful but terribly sad scene in where two old people are finally reunited at the end of their lives, aware of their lost time that will never be recovered and keeping only memories of better but old times.

The film was recently restored by the Norwegian Film Institute in what it was an enormous and complicated task that, thank Gott, was a successful one. This can be appreciated in available the pristine copy of the film with superb music arranged, Herr Composed and adapted by Halldor Krogh Which Enhances the beauty and sorrow That Involved in this excellent silent film.

And now, if you'll allow me, I take my leave Must Temporarily Because this German Count must-take a boat voyage down and Stock Teutonic estuary, the Galician version of the Norwegian fjords.

Herr Graf Ferdinand Von

Galicia - / -

Following the recent impasse in the middle of Vienna, Herr Graf recovered aristocratic activities relating these to the projections silent in the theater of the Schloss, obviously, decadent activities, continued merrily course during the stay Herr Von thereof in the Austrian capital.

And what better way to start a whole new year to discover unknown films silent Nordic?, With few exceptions, the majority of film productions from those cold European countries are not too familiar to conneisseurs silent, a fact due to capricious distribution policies or public displays few of the above films in cinemas worldwide, a serious error which, thanks to modern times, it will gradually solved by the possibility offered by new formats and distribution channels and television, making available Fan silent world of those great works.

first film this exclusive aristocratic silent cycle has been "Brudeferden I Hardanger", a film directed by Herr Rasmus Breistein silent in the year 1926, since a wonderful silent film that must be discovered and enjoyed by all self-respecting fan silent .

The film tells a love story cut short the life of the young Fraulein Marit Skjolte (Frau Aase Bye) which is in love with Anders (Herr Henry Gleditsch) Marit he promises to marry her when he returns after a two years, but is it a promise that will never be fulfilled because after four years away and no news or a miserable letter Anders, Marit finally discover that her fiancé will marry a rich Fraulein in the church of his people.

"Brudeferden I Hardanger" has many outstanding features that make this film special, characteristics directly influenced by the places where history happens and that will definitely factor in the lives of the main protagonists of the story.

As happens in many Nordic films, nature is always a powerful and important character in history, granting an outstanding importance in correct proportion to the narrative film and the director deems appropriate depending of their personal artistic interests.

In "Brudeferden I Hardanger" nature is ubiquitous, being a fundamental character that is used by Herr Breistein so wise indeed.
From the very beginning of the movie, you can see how the scenic Hardanger fjord are witnessing a social tragedy, the mass migration of villagers to America, having to flee a beautiful but impoverished land which is unable to provide the necessary resources to its people, having to find them a better life abroad, becoming the nature around in a cruel kind of love that does not have much compassion for people living in surrounding areas.

difficult conditions of the fjord are also suffered by our heroine, which will have to seek work as a maid in the house of the county judge, a job which will be treated in a derogatory manner by the wife of the judge or when you choose to work for an old villager who lives in the mountains, difficult work situations to which we must add the lousy Marit living soul that will not change until finally the decision to marry Tore (Herr Vilhelm Luna), a wealthy farmer's which has always loved her despite her indifference.

In this part of the film, the landscape of Hardanger, synthesize and highlight social difficulties experienced by the players and the great differences of classes in the fjord.

But that nature has its most aesthetic in the film, as can be seen during the wedding scene and a boat cruise through the Hardanger fjord, a beautiful and evocative this sequence inspired by one of the most famous paintings of Norwegian art and which Herr Breistein certainly manages to capture all its beauty and romantic essence, this being also a turning point in the film, dramatically accelerating the pace of events in it. For

Marit has been expected for several years back her fiance, eventually realize that their wait has been in vain, before becoming the shy, innocent and young Fraulein in a bitter and resentful old woman (Frau Gunhild Schytte Jacobsen) and never forgive the betrayal he has committed to her Anders , a disappointment which will be born an enormous hatred that even send their own children.

Marit The human portrait is certainly outstanding, able to transmit and reflect the two actresses who play the character at different times in its lifetime, the events that transform a simple and hopeful young man in a selfish and vindictive old woman, after have been aware Marit with becoming the years, he has to accept the fact that he has lost his life and has had to live one that really did not want.

The transition between youth and age of Marit is a small amount of time in the film, culminating in a final scene, a beautiful and equally sad scene, in which the two old men finally get back together at the end of their lives, aware of time lost and never be recovered, leaving only the memories of the good old days.

The film was recently restored by the Norwegian Film Institute as it's been a difficult and enormous task of restoring and thank Gott has been topped successful as it will be seen in the pristine copy of the film available, which has added an excellent score composed, arranged and adapted by Halldor Krogh Herr, noting this is the beauty and longing that permeates this excellent silent film.

And now, if I may, I have to leave because this Germanic count must make a boat trip down a river Teutonic, ie the Germanic version of the Norwegian fjords.

Herr Graf Ferdinand Von Galicia

Wednesday, January 12, 2011

Tv To Receiver No Sound Hdmi

Photo Competition National Park Wadden Sea

world heritage - nature at its best

Photo festival "National Park Wadden Sea and photo competition in Husum


Copyright: Martin Stock

On 29 April 2011 will start the fourth Photography Festival National Park Wadden Sea, with lectures, workshops and a photography competition in the Storm Husum.

National Park Schleswig-Holstein Wadden Sea is one of the last great wilderness areas in Europe. In June 2009, together with the Wadden Sea off the Lower Saxony and the Dutch coast in the UNESCO list of World Natural Heritage Site was recorded.

A highlight of the festival will be back in the photo competition, which has of course thematically match the Wadden Sea as a tender theme.

The Wadden Sea is a world heritage site - is reason enough, even at 4 Photo Festival National Park Wadden Sea to advertise a photo contest: We seek the most beautiful, evocative and revealing photos that reflect the uniqueness of this habitat. Present your perspective on this World Heritage Site. We look forward to pictures the wilderness, the beauty, the fauna and flora and the hidden details of nature shows.


The winners will receive attractive prizes such as a voucher worth 500, - € AC-Photo, a photo flight over the Wadden Sea, a photo seminar GEO photographers Heinz devil and a weekend the island Pellworm. The winning pictures of the competition will be presented in an exhibition to the public.

Participation is free of charge. The closing date is 31 March 2011. Information and entry forms here simply as "Photo Contest" Download: http://www.foto-festival-nationalpark-wattenmeer.de