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From Vienna The aristocratic New Year's Celebration 2011

During The next fortnight this modernen diary will be closed due to some wild, decadent and obviously aristocratic mad evenings. This German count will celebrate at an exclusive and special European aristocratic ball room in order to bring in the new longhaired year of 2011.

Accordingly and properly within aristocratic parameters, just what will be the special place in order to celebrate the new and aristocratic silent year?? ... There is only one place on Earth where a German count easily can be at home in these special days. It’s a place that conjures up the quintessential aristocratic and decadent way of life that, after many centuries, maintains intact its exclusivity and old ancient atmosphere. Thanks Gott that place it is not very far from Germany; it’s Wien ( Vienna for those who doesn’t speak elegant European languages ).

So during the next days, this Herr Graf will enjoy the snowy Austrian capital city and its peculiar and cold atmosphere ( with the permission of the weather and especially the whimsy of English air traffic controllers… ). What better way to properly celebrate than strolling the New Year’s path inside an elegant aristocratic “fiaker”, a classical Viennese two-horse carriage? Such transport is especially useful for going to Imperial Balls or celebrating the New Year in luxurious style by attending the performance of Herr Johann Strauss’ “Die Fledermaus” at the Wiener Staatsoper (or the “Vienna State Opera” for those illiterate longhaired youngsters who doesn’t speak European languages mentioned above).

So, Mein Liebers… for this reason and because of his aristocratic absence, this Herr Graf wants to now wish you all a happy New Year hoping that 2011 will bring us more of these wonderful silent films that make life, even aristocratic ones, more bearable. Silent pictures that this Herr Von would like very much to review for you during the next year are with, natürlich!!, the permission of Frau Sissi, Duchess of Bavaria , Empress of Austria and Queen of Hungary, Croatia and Bohemia.

Herr Graf Ferdinand Von Galitzien

-/-

Durante los próximos quince días éste diario modernista permanecerá cerrado due to occasional decadent and obviously aristocratic wild night, because this count Germanic be devoted to celebrate the new year hairy in an exclusive European ballroom.

And to do it the right and proper way, following the aristocratic parameters, what could be the chosen place to celebrate the arrival of a new aristocratic silent years? ... there is only one place on Earth where one can count Teutonic feel at Schloss itself during these days so special, a place to collect the quintessence of his decadent and aristocratic way of life and to continue to maintain its exclusivity and stale air after the passage of time, and thanks also to Gott, that place is not too far from Germany ... so yes, mein liebers, this count is speaking Teutonic Wien or Vienna for those unable to speak hairy elegant European languages.

For this reason and for the next day, Herr Graf will be devoted to enjoying the snowy Austrian capital and its peculiar and cold air (with permission from the capricious whims winter weather or air traffic controllers Hispanics).
Ah, what better way to celebrate these dates walking through the markets again this year in an elegant and aristocratic "fiaker" that classic two-horse carriage Vienna, a particularly useful means of transport to come to him to the imperial dance or celebrate lavishly the arrival of the new year by going to the performance of "Die Fledermaus" by Johann Strauss Herr in "Wiener Staatsoper ( or whatever it is, the Opera House in Vienna, for all those ignorant young hairy elegant unable to speak some European languages mentioned above).

Well, Liebers Mein ... then this is the reason for the absence aristocratic Herr Graf over the next few days, wishing you all a happy and hopeful 2011, waiting next year to bring more of those wonderful silent films that make life, even the noble, much more bearable, silent cinema that Herr Von will be happy to continue commenting to you all next year, with permission, natürlich!, Frau Sissi, Duchess of Bavaria, Empress of Austria and Queen of Hungary, Croatia and Bohemia.

Herr Graf Ferdinand Von Galicia

Ginger Beer With Wild Yeast

"Die Frau, Nach Der Man Sich Sehnt" (1929) By Curtis Bernhardt

Henri Leblanc (Herr One Henning), descendant of a bankrupted industrialist family, Married a rich heiress in order to save the family firm. On the honeymoon, Herr Leblanc meets a mysterious woman on the train, Stascha wife (Marlene Dietrich) with whom he will fall desperately in love. He goes to ruin with her, leaving his wife on the train and fleeing with wife Stascha to Cannes.

But Stascha, bound to Dr. Karoff (Mr. Fritz grains), especially needs the protection of Mr. Leblanc due that fact that her relation with the Dr. is connected with the knowledge of a crime.

"The woman, according to which one longs" (1929) ("Three Loves"), a film directed by Mr. Curtis Bernhardt, it is a very remarkable oeuvre and certainly the best silent film made by Marlene Dietrich.

Before this excellent film, Mrs. Dietrich was a cute and plump lady that had a not very impressive career in roles directed by different and sometimes important German directors. That’s until Herr Bernhardt takes advantage of all of her true possibilities for the silent screen emphasizing those same traits that later Herr von Sternberg uses in a similar way for the sake and glory of Frau Dietrich.

At this point it is necessary for this German count to say that the work that Herr von Sternberg did with his most outstanding pupil wasn’t at all entirely original and exclusive as evidenced in “Die Frau, Nach…”, Herr Bernhardt did splendid work in the same artistic and dramatic parameters which, in turn, Herr Dietrich enhanced in the special atmosphere of the silent screen. In years later, it was for Herr von Sternberg to enlarge the talkie career of the Teutonic actress.

The great cinematography by the reputable Herr Curt Courant und Herr Hans Scheib, created those classic sculptured face shots of the actress amid shadows and enigmatic angles creating the paradigm of a “femme fatale”. This shines especially in this mysterious love triangle drama. Thus results an “amour fou”, perfectly developed in different sceneries with everything for the sake of Frau Dietrich. The film is an unconditional gift and a perfect vehicle for the Teutonic actress that certainly owes a lot to this film’s construction in a manner that later became her personal and well-known iconic image.

But not only Frau Dietrich deserves attention in this film; the male main characters of the picture ( Herr Fritz Korner und Herr Uno Henning ) did excellent work too as two tormented lovers whose fascination and infatuation for Frau Stascha will bring them only misery and a doomed life.

The film transits between different sceneries. There are segments of the film that are very well defined and in continuity, developing the increasing passion and dramatism that brings the main characters of the film to life. These start with the industrialist images of the first part of the picture ( in those days, Germans liked a lot scenes of engines, pistons and steam… ) which are mechanical, emotionless and symbolic of Herr Leblanc’s marriage of convenience. They continue to the uncontrolled passion that Herr Leblanc will experience in the train when he meets Frau Stascha via visualizing an era when the train was a romantic and unpredictable mean of transport... and had nothing in common with the aseptic and fast high-speed trains of nowadays. And at the party at the hotel during the night of the Holy Sylvester, the facts accelerate to the end of this peculiar tragic love triangle via a “in crescendo” film story in which the eroticism, drama and wild passion are depicted in a very remarkable and fascinating way.

“Die Frau, Nach Der Man Sich Sehnt” is an outstanding silent film that depicts one of those mad love stories than only can happen in silent films and confirms that Frau Dietrich already existed and was “invented” Before Herr Bernhardt years by Herr von Sternberg.

And now, if you'll allow me, I take my leave Must Temporarily Because this German Count must-talk with Frau Dietrich about old German times.

Herr Graf Ferdinand Von

Galicia - / -

Henri Leblanc (Herr One Henning) down a family of industrialists in bankruptcy, so is the need to marry a rich heiress in order to save the family business; during their honeymoon, Herr Leblanc know where the train travels with his wife, a mysterious woman, Stasch Frau (Frau Marlene Dietrich), which will be his undoing when he falls madly in love with the above, leaving his wife in train and running away Frau Stasch at Cannes.

But Frau Stasch, which has a strange relationship with Dr. Karoff (Herr Fritz Corner), you need protection especially Herr Leblanc, as the bond that keeps the doctor is related to the knowledge of a crime.

"Die Frau, Nach Der Man Sich Sehnt" (1929), directed by Herr Bernhard Curtis is an excellent film and certainly the best silent film starring Marlene Dietrich Frau.
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Before this film, Frau Dietrich was a cute and plump Fraulein which had a not too remarkable career, playing roles led them in different and sometimes Germanic important directors, until Herr Bernhardt took all the possibilities for the silent screen actress had said, highlighting in particular all the characteristics that Herr von Sternberg then employ a similar manner for the benefit and glory of Frau Dietrich.

Therefore, it is necessary to refer to count Germanic, that work with Herr von Sternberg made his most outstanding student was not entirely original or unique as can be seen in "Die Frau ...", as Herr Bernhardt some years before on the same parameters dramatic and artistic, does an excellent job with actress Germanic also benefited Herr Dietrich of the special atmosphere of silent films and later Herr von Sternberg would highlight in the career of actress Teutonic sound.

The large photograph of the prestigious Curt Courant Herr and Herr Hans Scheib, results in those classic, chiseled, and whimsical drawings filmed them from mysterious dark corners, creating the paradigm of the "femme fatale", perfect them for this particular love triangle a history of "amour fou" set in different scenarios, all for the greater glory of Frau Dietrich, an unconditional gift in addition to being the perfect vehicle for the actress, which certainly Teutonic owes much to this film in connection with the creation of what would later become his personal and very famous iconic image.

But not only Frau Dietrich deserves attention in this film, as their male colleagues, Herr Fritz Corner One und Herr Henning, in his papers also highlight how the two troubled lovers whose fascination and infatuation by Frau Stasch will bring only pain to their lives and torment.

The film moves between different scenes, these well-defined segments and create dramatic continuity in the film, developing and increasing the passion and drama that will suffer his characters, beginning with the film with industrial environments during the first half of the film (at that time, Germans liked see images of machines, pistons and steam ...) mechanical and monotonous images, lack of emotion and symbolic marriage of convenience Herr Leblanc, passing the film then with the unbridled passion that suffer Herr Leblanc on the train when he meets Frau Stasch, or as the train was then a romantic and unpredictable means of transport, nothing to do with the sterile high-speed train today, ending the film with a special New Year's Eve party that the three protagonists of the film held at the hotel where stay, accelerating a tragic developments in the aforementioned love triangle, ending an "in crescendo" where the erotic drama, drama and more unbridled passion has certainly been portrayed in a remarkable and fascinating.

"Die Frau, Nach Der Man Sich Sehnt" is an excellent film where he tells one of those crazy stories of love were only possible in silent films and Frau Dietrich finding that existed and was even invented by Herr Bernhardt years before Herr von Sternberg.

And now, if I may, I have to leave because this count must maintain Germanic una charla con Frau Dietrich acerca de los viejos tiempos germánicos.

Herr Graf Ferdinand Von Galitzien

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"Als Ich Tot War" (1916) By Ernst Lubitsch

The most dangerous threat to the happiness of any young married couple, besides matrimony itself, are the mothers-in-law; this terrible feminine lobby, since the dawn of time , has always meddled and tried to disturb the tranquillity of newlyweds and sometimes their evil schemes succeeded in making a contented life impossible for the youngsters.

The great German director, Herr Ernst Lubitsch, captured pretty well these universal mother-in-law treacherous manoeuvres in “Als Ich Tot War” ( When I Was Dead ) (1916) a two-reel silent comedy shown recently at the Schloss theatre.

The film depicts the story of a young married couple ( Herr Ernst Lubitsch himself and Frau Louise Schenrich ) who live in the same apartment with their mother-in-law ( Frau Lanchen Voss ), a terrible mistake. At least if the mother-in-law lives far away, her dangerous intentions require more exertion to work. Herr Ernst likes very much to play chess with his pals at the club, a thrilling sport that will bring him a lot of problems ( that’s what happens when you play such weird games ). One night Herr Ernst arrives home late due to one of those exciting and lengthy chess matches and finds the door to his home locked, forcing him to sleep on the stairs. It is not necessary to say that the party responsible for such an evil act is his mother-in-law who continually uses the long chess matches to poison her daughter’s mind against her husband. She finally succeeds and Frau Luise divorces her mate.

But Herr Ernst’s revenge will be terrible: His mother-in-law puts an ad in the newspaper for a butler so, anticipating many modernen superheroes, he dons a disguise and answers the ad (Herr Ernst s disguise consists only of a wig but nobody seems to recognize him). Now, inside his old home and thanks to his wig, his sex appeal will attract the maid and even his mother-in-law!, In what it is one of the most insidious plans of vengeance ever contemplated. Herr Ernst will try to seduce his mother-in-law in order to shame her and finally banish her from his home.

“Als Ich Tot War” is a funny silent comedy, typical of Herr Lubitsch’s youngster days. It’s rough but therein lays its charm. The funny and simple situations depicted in the film and its light, easy and inoffensive humour is of the sort that have pleased audiences for centuries before the silent screen. Herr Lubitsch of course will later become one of the most important film directors in cinema history but he’s a long way from that here.

And now, if you'll allow me, I must temporarily take my leave because this German Count must play chess with one of his mothers-in-law.

Herr Graf Ferdinand Von Galitzien

-/-

The greatest threat to the happiness of any young couple, besides the marriage itself, are in-law, from the beginning of time, that terrible women's organization, has always tried to interfere and try to endanger the peace of all newborn married the world, going on countless occasions to succeed in their efforts to make life miserable for all those young couples.
Germanic
The great director, Herr Ernst Lubitsch, showed the world the danger of any mother and his perfidious maneuvers in the film "Als Ich Tot War" (1916), a hilarious short feature film was recently screened at the theater Schloss silent.

The film tells the story of a young married couple, read them for himself and Frau Herr Ernst Lubitsch Schenrich Louise, who live in the same apartment with her mother (Frau Lanches Voss), a mistake he, indeed, because if at least the above-law live far, their efforts will have to be much higher to achieve their evil purposes. Herr Ernst
like playing chess with his buddies, an exciting sport it will be the cause of all misfortunes (added them to the strange fact very peculiar practice game), a night and because of the long duration of these items Chess, Herr Ernst comes home late, encountering the terrible fact that your door is closed tight, and was forced to sleep on the stairs of the building.
It goes without saying that the cause of this situation has been that her mother continuously, weed gets his daughter against her husband, her daughter to finally divorce her husband.

But Herr Ernst's revenge will be terrible, taking advantage of his mother has placed a newspaper advertisement calling for the services of a butler, Herr Ernst presents the post but not before, as do modern day superheroes and masked These days, having disguised in a timely manner not to be recognized, placing a unique wig, getting anyone to recognize. The big attraction
Herr Ernst has thanks to its peculiar costume will give you the opportunity to seduce both maid and to her mother!, As it really is one of the most treacherous acts of vengeance that has seen Herr Graf in many years ... thus achieving embarrassing for so doing and most importantly, get rid of her forcing her to leave her home.

"Als Ich Tot War" is a silent comedy, very characteristic of the early servants of Herr Lubitsch, a work whose simplicity is precisely its charm. The fun and light
comic situations shown in the film are a good example of safe and effective humor that both have enjoyed the public since centuries, a film genre that Herr Lubistch was polishing and improving significantly since then, eventually being one of the top directors important in the history of cinema.

And now, if I may, I have to leave because this count Germanic has to play a game of chess with one of their mothers.

Herr Graf Ferdinand Von Galicia

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Christmas party on mbs

Winter Atmosphere at mbs - our snowy seminar building ...

our brass ensemble - Unfortunately there is no other choir of pictures and no sound ...

the Weihnachtspredigerin ... the miracle of the Incarnate child ... has approached us

And the conclusion of a special kind ..

How To Make A Limber Jack Doll

Evaluation - keep it up!

Our Moderaturen from PTI Veronika Wirth Uffelmann
and Rev. Dr. Martin Sander-Gaiser

Today afternoon we received the results of our evaluation presents that we have with the Institute for Educational Development and Evaluation conducted in Nuremberg. The Institute aims at a perception and value-based school development. In the investigation has 192 students and 25 staff (s) attended. The results were very good, according to the presenters, even were the results of teachers and students very close together.
On a scale of 1 (poor) to 5 (very good) answered 158 questions dealt with the ideal and the real evangelical school. Only a few points, we reached a value of less than four. At some points we had levels of than 4.7 (eg presence of religious rituals, dealing with each other, references to the Christian sense orientation, personality development, introduction of student skills, etc.). Differences in ideal and reality was about the cooperation of teachers (ideal school teachers 4.76 / 4.56 Stud, 3.76 science teacher / student 4.25: the teachers, the cooperation is not as ideal as the students) . Striking were the differences in performance measurement (ideal 4.81 / 4.55 - real 3,66 / 4.76). Perhaps we will soon publish
again specific results.
Despite very good results one must of course continue to arbeiten.Daher the Quaslität have students and teacher (s) where the School Committee the following recommendation.

Lecturers:
first Teaching feedback introduce clarify (7)
2.Informationsfluss and responsibilities and implementation and sustainable living (15)

students: first
Performance measurement make transparent (11) clarify
2.Außenwirkung school (7)

memory issues:
1.More create opportunities to solve problems from students to address the school program
2.Dokumentation process
3.Supporting the empowerment of students

proposal for the School Committee: Shaping
1.Teamtag the flow of information
2.Leistungsmessung transparent

Is Rimmy Tommy Pregenent

A Hallelujah, that our Saviour is born.

Karolin friend reports: A
Hallelujah, that our Saviour is born. This was one of our key messages to our Christmas choir project. Than 15 young, music-loving mbsler we have used 5 weeks and rehearsed five songs with enthusiasm. We have of God's greatness, singing his love to us and asked us how to do it ourselves with and what a great gift we have received at Christmas so long ago. With "Joy to the world," we have our joy, we in our Saviour, have expressed. With the song "Mary did you know" we asked ourselves how well it was Maria, she has experienced as they will have the Saviour of the world as a child. A topic which has us very busy, was who we are, we deserved this redemption and love of Jesus. Words, we have completed the "Who am I". Once we have found out who we are, we are once again received indicating that God is love. "The Greatest Command" shows that love is above everything, and that God has granted us, every one. Finally, we have praised God with "Hallelujah, Salvation and Glory." We have looked to God and were grateful that he has so blessed us with his son.
A blessing was this choir project. We had a wonderful community were united by the music and other people have achieved through our love of music. Both new musical, and new spiritual insights we have gained and grown together as a choir. With very much pleasure that I look back at this valuable time and am very proud that we have accomplished so much musically.
The expectation and joy in terms of a new project is great. J

Brown Dicharge From Bladder

"erreur Tragique" (1912) By Louis Feuillade

Suzanne Frau und René de Romiguières are a young and happy French bourgeoisie couple who live in a “château” at the foothills of Cévennes. Herr René must go to Paris in order to properly attend to business.

Staying two days alone in a big city like Paris without your wife is certainly an excellent opportunity to enjoy the pleasures of France’s capital city,... so the young marquis decide to enjoy himself by going to... ehem… a cinématographe!.

During the show of “Onésime Vagabond”, Herr René was deeply astonished by this “Gaumont” film production but not for its artistic merits; rather because during a scene his wife appears walking arm in arm with an unknown man! From this time forward, the monsieur le marquis will be consumed by jealousy. His state of mind worsens when his wife receives a mysterious letter in which a rendezvous with a man is arranged. Absolutely deranged by this, le marquis decide to make an attempt on his wife’s life.

“Erreur Tragique” is a notorious short film directed by Herr Louis Feuillade in the silent year of 1912, in which the mastery the French director is evident regardless of the genre. The film’s dramatic intensity goes “in crescendo” until a thrilling and, fortunately, happy ending that puts relief into what it is an early and desperate portrait of human and masculine nature.

The film is absolutely valid and modern today because unfortunately some things have not changed a lot since the film was made a century ago ( actually, that people are continuing marrying among themselves! ). These most primitive human impulses are still suffered today by jealous and obsessed husbands (e.g. deception, jealousy, mistrust ). Terrible consequences are seen in the film such as morbid feelings and conduct that affects and drives crazy even the most reasonable and distinguished persons. On the other hand the film is modern nowadays too in its technical aspects, film narrative and direction. Just change the elegant horse-drawn carriages for noisy automobiles, handwritten letters for modernen e-mails or viewing “Onésime Vagabond” as le monsieur le marquis does for a “Netflix” on-demand video and you'll Have an absolutely contemporary film.

And now, if you'll allow me, I take my leave Must Temporarily Because this German Count must go to Paris But Not Precisely in order to watch silent pictures ...

Herr Graf Ferdinand Von

Galicia - / -

Frau und René de Romiguières Suzanne is a young, pro-French and happy marriage whose dwelling is a château located in the foothills of this city Cévennes, due to certain businesses, Herr René has to move to Paris in order to appropriately address such matters. Be

two days alone and without the wife in a big city like Paris, is certainly an excellent opportunity to enjoy the pleasures offered by the French capital, opportunity to the young Marquis takes going to a, ahem ... cinema!.

During the screening of the film "Vagabond Onésime" Herr René bowlegged is not because of the artistic merits of this film production of "Gaumont", but because during a scene from the aforementioned film, his wife's arm appears an unknown gentleman!.
Since then, Monsieur le Marquis he will be consumed by jealousy, significantly worse mental state when his wife receives a mysterious letter which prepares a secret rendezvous with a man.
absolutely mad, he decides marquis attempt on the life of his wife.

"Erreur Tragique" is a laudable Herr medium-length film directed by Louis Feuillade's silent during the year 1912 and where the French director's mastery is evident in directing any film genre, the film's dramatic intensity goes "in crescendo" until an exciting and happy that finally puts some relief to a desperate portrait of some male human nature.

The film is in full force because unfortunately some issues have not changed since the film was made one hundred years ago, for example, the fact that people continuing follow up marrying, in addition to the more primitive impulses and obsessive jealous husbands some still suffer today (mistrust, deceit, jealousy), ill feelings and strange behaviors that lead to insanity to anyone whose distinguished and wise and terrible consequences can seen in the film, on the other hand, the film is equally modern in both its technical aspects and in its storytelling and direction, you only have to change the elegant carriages that appear in the film by noisy cars, handwritten letters by modernists emails or see "Onésime Vagabond" Monsieur le Marquis as he does, to rent the film at a video store and then have a movie you absolutely contemporary.

And now, if I may, I have to leave because this count Germanic have to go to Paris and not just to see silent films ...

Herr Graf Ferdinand Von Galicia

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"The yacht The Seven Sins" (1928) By Louise & Jacob Fleck

The ship-owner to organize Roberts Reeder Herr world historical trip on luxury liner "Yoshiwara." Aboard Are millionaires and famous artists, But Also criminals. The manager of the ship-owner, Stefan Martini, Has Been Murdered Shortly Before the departure in a mysterious way. Several persons are suspected and these are, precisely, the passengers of the “Yoshiwara”.

Frau Brigitte Helm became a world famous silent actress after the success of the
Grosse und landmark German film production “Metropolis” (1927) film directed by, as you probably know by now ( if not, well, this Herr Graf will desist in writing more of this irrelevant aristocratic silent reviews… ) Herr Fritz Lang. Hers was a short but very interesting silent career in which she worked with important German film directors. She adapted into the sound era well and adapted into marriage well also by marrying a rich aristocrat who retired her from the mad talkies - but that’s another and different Teutonic story.

The most remarkable merit of Frau Helm on the silent screen was her powerful, fascinating and enigmatic beauty. All of the directors who worked with her used this to the benefit of their stories. Her presence often evoked obscure and wicked temptation, wrapping her in mystery and danger.

“Die Yacht Der Sieben Sünden” ( The Yacht Of The Seven Sins - 1928) is a film directed by the Austrian pioneer director woman Frau Luise Fleck and her husband Herr Jacob Fleck, who accordingly used Frau Helm’s fascinating presence in what it is for this German count an interesting exercise in silent film style of a mysterious variety.

In this film, Frau Helm portrays a “femme fatale”, the dancer Marta Petrowna who will be involved in a crime and must use her fräulein weapons for selfish benefit. The film was inspired in a novel by Herr Paul Rosenhayn published in Cologne’s “Illustrierte Zeitung” and certainly the construction of the film, the developing of the intensity and the mystery of the picture is indebted to those classic and popular mystery novels.

The film has an interesting portrait of the “modern” 20’s with urban sceneries where influenced by the pictures of similar American productions of this genre ( an impersonal and international archetype film style ). The action later transfers to the boat “Yoshiwara” where the characters are involved in different degrees in the crime to be solved. There’s a score to settle involving wicked conflicts of suspicion, mistrust, hidden interests and inner sexual desires. The result is a sometimes intricate but resourceful mystery plot.

Obviously Frau Helm is the star of the film. The many close-ups and the different lavish garments she wore in the film confirm this (beautifully photographed by Herr Carl Drews und Edgar S. Ziesemer together with their mysterious night scenes or the urban and indoor shots). However, in comparison, she has to deal with another German actress, Frau Rina Marsa who has more acting resources, besides beauty, than Frau Helm and who in the film plays a singer.

Unfortunately the last act (Act 6) is missing so the picture includes the description of its content following the text of the “Illustrierte Film-Kurier” in order to know who finally committed the damn crime! “Die Yacht Der Sieben Sünden” is nonetheless an efficient German “film noire” in where the archetypes of such film genre are used proportionally. The classic mystery film ingredients create a mixture that results in a very convincing and, at the same time, unusual German film.

And now, if you'll allow me, I must temporarily take my leave because this German Count must sail in his rich heiress’ sinner arms.

Herr Graf Ferdinand Von Galitzien

-/-

Herr Reeder Roberts es el propietario de un lujoso barco, el “Yoshiwara”, en el cual quiere organize a trip around the world aboard the same millionaires and artists will be accommodated, but also criminal.
manager Roberts Herr, Herr Stefan Martini, is mysteriously killed shortly before the ship set sail, several persons are suspected of murder and precisely, they are all passing the "Yoshiwara."

Frau Brigitte Helm became quite a famous actress in the world thanks to successful production and fundamental Grosse Germanic "Metropolis" (1927), a film directed, as now you know (if not know, Herr Graf desist to continue writing them irrelevant and aristocratic silent analysis) by Herr Fritz Lang.
Frau Helm had a short but interesting career silent, having the opportunity to work with major directors Germanic, as well the above is well adapted to films adaptóse sound and even better to modern life, marrying a wealthy aristocrat who withdrew from crazy world of film, but this is another story ...

The most remarkable merit of Frau Helm for the silent screen, was his powerful, fascinating and enigmatic beauty, all the directors with whom he worked, knew very well how to use it to benefit of stories that featured, evoking in most often Frau Helm, a dark and evil temptation, always wrapped her in a halo of mystery and danger.

"Die Sieben Sunden Yacht Der" (1928) was directed by Austrian director Frau Luise Fleck pioneer along with her husband Jacob Herr Fleck, which used properly that the presence of Frau Helm fascinating in that it is an interesting Germanic Count Office of silent mystery film genre.

In this film, Frau Helm plays a femme fatale, dancer Marta Petrowna which will be involved in a crime, having to use their powerful weapons of "Fraulein" for his own selfish benefit staff in that history.
The film was inspired by a novel written by Herr Paul Rosenhayn published in the newspaper "Illustrierte Zeitung" of Cologne and certainly, the film's construction and development and dramatic intensity of the film is indebted to those classic serials and popular mystery fictionalized.

The film has an interesting portrait of modern twenties of last century, including urban environments influenced by similar these American productions of the time (international and impersonal archetypes easily interchangeable), then remove the action to the ship "Yoshiwara" in where the film's characters have been differently involved in the crime to solve, settle accounts among themselves in what is supposed to be any conflict of suspicion, mistrust, and deep interest hidden sexual desires, to finally a convoluted mystery plot but effective. Obviously

Frau Helm is the star of the film, as many close-ups and elegant dresses that continually looks at the screen as confirmed (all beautifully photographed by Carl Drews und Herr Edgar S. Ziesemer, also highlighting her scenes night and drawings of interiors and urban).
Anyway, Frau Helm will have to share flat with another actress Germanic Frau Rina Marsa, which plays a singer in the film and has more resources and equally dramatic beauty that Frau Helm.

Unfortunately the last act of the film, 6, has been lost, but do not worry, because the film includes the detailed description of the story published at the time the "Illustrierte Film-Kurier" in order to finally know who demons have committed the said crime.

"Die Sieben Sunden Der Yacht is an efficient" film noir "where all Germanic archetypes and ingredients accurately this film genre, mixed and used in a proportionate manner, resulting in a very convincing result and at the same time not too Common Germanic production.

And now, if I may, I have to leave because this Germanic Count must sail for sinners arms of one of its Teutonic.

Herr Graf Ferdinand Von Galicia

Women Pissing Themselves Then Getting Wet

Nico Botha on mbs

Professor Nico Botha said today in our third courses on contextualization. I am always very, when guests come from abroad to mbs to enrich our little world. Prof. Botha directs the Department of Missiology at Unisa, he spricxht several languages (including German, but today he spoke English - and that was well received). At the second meeting some professor (inn) en attended.
contextualization challenges us even when reading the Bible, because they come from a different culture. But the good news for our understanding of the modern world is not without difficulty. The recent history of South Africa was such that prevailed under the law of love in the apartheid era very different understandings between blacks and whites. And in the current situation is given the disparities in income remain the question of what is called charity and what is my task.

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donations while shopping

now you can at www.bildungsspender . de mbs donate to the shopping! Who controls the link www.bildungsspender.de / mbs one of the attributes listed there Shops (Reiter: "partner shops", "help now" then), automatically supports the MBS with a fixed amount of the respective shop or percentage of purchase amount . The whole thing works without Registration or "own contribution". This makes the purchase, but it must be started at the same Internet address. Education dispenser collects the commissions and donates them once a year in December to the full extent of the mbs.